Many artworks are best fabricated and installed by the artist themselves. Others involving more specialist or larger scale fabrication and installation, will require contractors. Examples are steelwork fabricators, general contractors (concrete and masonry works), lighting specialists and mechanical engineering contractors.
This guideline has been written for Commissions North by Arup Newcastle, the regional office of Ove Arup and Partners International.
Click on a heading below for more information or scroll down the page to read the whole guideline.
Contractors are typically responsible for the fabrication and installation of the works as specified by the designers.
With a ‘design and build’ approach (see guideline on engineering considerations), the responsibility for the detailed design is also with the contractor, who must conform to the designers’ or artist and consultants’, performance specification.
Go to the Directory for a list of contractors that have tendered for or may be willing to tender for artwork installations in North East England.
This is the process by which contractors are invited to submit their proposals – in terms of costs, programme, etc – to fabricate and install (and design, if using a design and build process) the works specified on the designers’ drawings. By asking a number of contractors to submit bids for the same package of work, the client can obtain competitive prices for the works.
Some contractors will be able to provide budget prices – not a final tender price – on the basis of sketch proposals only. The more detailed and complete the information given to the contractors, the more competitive the prices returned will be. (See guideline on project and design management for an indication on the stage at which a project should be tendered.)
The project manager is responsible for the compilation of tender information, and for providing recommendations to the client.
Artworks by their very nature differ significantly from installation to installation. Whilst it is difficult to assess the costs of such a wide-ranging series of projects, the following offers a basic guide to the costs of certain elements associated with an installation:
The above information was collated in January 2004, and is reproduced here for information only. It excludes fees that may be required by the designers or consultants, which may be in excess of 10% of the works for small or complex sculptures.
Economies of scale should be borne in mind, in that small orders may be up to 20% more expensive than the figures quoted above. Similarly, some sites may be remote or inaccessible, and this will undoubtedly add to the cost of the works.
There are a number of factors that need to be considered when assembling the programme for the design, construction and installation of an artwork. The time required to obtain funding, for planning permissions or to complete the design work will vary significantly, and cannot be specified here.
Appropriate allowances should be made based on experience of the local conditions and the advice given by the consultants, artists, planners and client. It’s advisable to discuss specific needs with your intended fabricator.
The following offer indicative timescales for construction work that might be required:
Other requirements that will also need to be included are site surveys and the establishment of a compound and adequate protection, if required.
This guideline has been written for Commissions North by Arup Newcastle, the regional office of Ove Arup and Partners International, which employs several consultant engineers who have been involved in artwork projects worldwide.
Arup also have considerable experience of project management, project co-ordination, computer visualisation, fabric structures architecture, acoustical engineering, and planning supervision.
Matthew Birchall and John Gregory, Arup Newcastle, will be able to advise on individual projects, if required. For more information, visit www.arup.com, email matthew.birchall@arup.com, or telephone 0191 261 6080.